CeraMicino Art
unique pieces

Margaret Giordano, for ComputArte, analyzes the double interpretation of the myth of the goddess Bastet and focuses attention labile with the end of good and evil, between pain and healing. The artist's work, in this case, Yes It consists of a layer of black paint and some simple details, crepe, furrows, "Wounds" from the leaf embellished gold, taking up the Japanese technique of kintsugi. This ancient technique, developed in Japan in the fifteenth century, It consists in repairing a broken object with gold, highlighting the cracks, instead of hiding. Her philosophy deep, But, It goes far beyond a simple artistic practice: its symbolism speaks of healing and resiliency. Fixed with care, the damaged object seems accept and recognize their past and paradoxically become stronger, more beautiful, most valuable than he was before breaking down. A metaphor, dipanandosi, shedding new light on each process of healing, it relates to a wound physical or emotional. The Japanese term kintsugi is formed by the words kin (air) e tsugi (repair) and then signi fi ca literally "Repairing gold". It is a long process, that It requires several stages over several weeks, if not even months. The kintsugi is the art of enhancing the wounds. Could be considered a form of art therapy, inviting you to transcend faced trials, transforming the gold Lead your life, as in an alchemical process. Your scars, visible and invisible, They are proof the fact that you have met and exceeded the dif fi culty. Reveal your story, show that you are "survivors" and will instill courage. Even more beautiful, Even more resistant, Even more precious, Still there! Margaret Giordano